Wednesday, 1 August 2012

Kathmandu - A Monkey's Tail www.wanderingwendyswonderings.blogspot.com


The electric whizz of a circular saw cuts metallically into my dreams.  Beneath that a hammer bangs a dull rhythm.  Cries of people on the street echo up to our room, shouting above the continuous bursts of beeping from vehicle horns.  I roll over onto my good ear, trying to muffle the sounds out, but I find no solace of sleep in the soft down of the pillow.  Alex ruffles behind me, tugging the sheet, my tolerance for disturbance terminated.  Peeking through my reluctant eyelids, I seek out the clock.  7.20 am.  Back in the land of perpetual noises.  Where the peace of spirituality that is sought by the disillusioned Westerner, is ironically absent in any audible sense.  After a resentful hour, trying to ignore the noise and escape back into the quiet of slumber, we relent.

‘Might as well get up.’  I say.

‘Yeah, I guess so.’  Alex replies.

‘Who’s turn for the cold shower?’

‘Yours.’

‘Of course.’

It takes until the end of my excruciatingly cold shower for the hot water to trickle through.  


The narrow streets outside are wet from the heavy monsoon rain that fell overnight.  The large calf-deep potholes are filled with muddy water.  Attempts have been made to fill some of the deeper ones in with bricks, gravel and sand bags.  The trishaws, scooters, white Suzuki-Maruti taxis, and pick-ups beep endlessly to alert all to their presence, inching their way past each other, cyclists, dogs and indifferent pedestrians.  Despite the rain the air is hot and thick, the water vapour carrying the grime of the streets, depositing a layer of the city onto our skin. 

‘Look!’  I say pointing up at the low skyline.

Above us are large knots of power lines, and above them the jumbled roofs of the buildings.  Four storey concrete cuboids that overbear the rickety tiled slopes of the traditional houses, with small, ornately carved windows, surrounded by crumbly brickwork, survivors of the 1934 earthquake.  A monkey sits on the apex of one of the roofs of the old houses, his head cocked, black tipped tail curled around him, staring at us.  The tring of a trishaw bell sounds close by. 


‘Watch out.’  Alex says, gently guiding me towards the side of the road as the trishaw pulls up next to him.   

Behind that is the impatient beep of a taxi. 

‘No thanks.’ 

I hear Alex say.  He repeats it with a gruff tone when the trishaw cyclist pesters him further into a tour of the city.

‘Maybe it’s Hanuman.’  I say.         

‘I don’t know why they just can’t take no for an answer.’  He says.

The monkey shows the redness of his sore looking posterior and bounds across the unimpeded roofs of the city. 

We continue walking down the road, Alex trailing behind; there is not enough room for us to walk side by side.  Entering into Thamel, the tourist ghetto of Kathmandu, the offerings of the small shops set into the buildings along the sides of the streets begin to target the tourist.  The butcher shops with sheep heads buzzing with flies sat on counters, the dingy, mould blackened rooms with low, worn, plywood tables, surrounded by stools, that serve as restaurants for the locals, and the shops that serve more as cupboards of clutter, containing great pots, heavy ladles and dented metal plates come to an abrupt end.  The fare being peddled, sometimes with aggression, other times with indifference, repeated randomly along the streets.  Fake Northface trekking gear, ‘antiques’, cheeky wooden carvings of mischievous looking sexual frolickers, beautifully coloured and intricate mandalas, book shops, alternative clothing, ethnic jewellery, khurkuri knives, restaurants, generic paintings depicting scenes of mountain ranges and peasants and felt slippers.  Each product has its own store.  All of it the same in like stores. 

Behind me I hear the increasing exasperation in Alex’s tone as he fends off trekking guides, bead sellers, weed sellers, taxis, rickshaws, shoe shiners, henna artists and city guides.

‘No thank you.’  ‘No thanks.’  ‘No.’  ‘Look, I said no.’  ‘Just no.’


Escaping the perpetual and physical bustle of the streets we duck into the Momostar for breakfast.  Similar to the many restaurants around.  Modest and dark, with rudimentary furniture that offers no comfort, and smiling, ‘Namaste’ greeting waiters. 

‘I mean does it look like I smoke weed?  I have been asked about 15 times just walking from the hotel.’  Alex asks.

‘Well, you are quite hairy.’  I reply      

At the door of the restaurant a grubby looking child sits leant up against the door frame.  His hair is matted, and his clothes torn and dirt damaged.  With fingers pinched to his thumbs he raises his hand to his mouth and mimes eating.  The expression on his face says please a thousand times over.  Our food arrives, a delicious steaming plate of momo’s, Tibetan style dumplings, and glasses of hot honey, ginger and lemon.  The pleading arch in the space between the boys eyebrows heightens, seeing our food.  Looking at the guttersnipe I shake my head at him, staring into the hunger in his eyes, that gnaws at my heart. 

‘It’s so hard to say no.’

Alex looks rounds at the boy who ups his imploring.

‘Not much of a life is it.’  He says.

A monkey drops down from the roof, swipes a squashed piece of fruit from the gutter and scampers off with a swish of a black tipped tail, back up the building out of sight.  The boy watches it.  He gets up, head low and slopes away in the hope of finding softer tourists.


A short walk through the old city, from Thamel, is Durbar Square, Durbar meaning royal.  Leaving the testing touts of touristy Thamel, we wend our way through the old streets, the personality of the city revealing itself as we venture further into it.  Unstable, but beautiful old buildings, totter at the sides of the streets, made from wonky red brick and carefully detailed dark wood.  From the small shutters the occasional lone face can be seen watching the milieu below.  In between the elaborately carved pillars of the buildings, hawkers have set up shop.  Brightly coloured salwars and saris flutter in the breeze.  Second hand shoes, swing from string.  Lentils, beans and rice flow from folded down sacks.  Colourful assortments of vegetables, red chillies, green cucumbers, and yellow squash are piled into pyramids.  

Often the streets open into a crossroads, at the centre of which are shrines to Buddha, Shiva, or any other of the pantheon of Hindu deities.  Glances down alleys reveal hidden secrets, treasures of temples, plied with pigeons, tempted by the grains scattered by children.  Gold plated, wrought iron, guiled gompas in squares that exclude the constant chatter and hum of the streets they hide behind. 
We sit briefly in one of these squares, listening to the relative silence, smiling at the fraction of peace we have found.  But before too long we see the buckled figures of beggars, creeping from the shadows, dragging their frail forms towards us; healthy beasts of privilege.

‘Let’s go before we get mobbed.’  Alex says.

I nod, arming myself with a couple of 10 rupee notes to pass with a smile and a Namaste to the ones who manage to make it over before we stride back into the throng.      


At Durbar Square we sit upon one of the staggered stages of one of the many temples that fill it.  Many others have the same idea.  Across from us is the impressive nine stage Shiva temple, with depictions of carnal appetites carved into the struts that hold up the roof.  Many of the buildings in this large square that was home to the Nepalese royalty date back to the C16th. 

‘It’s nice to see architecture that isn’t influenced by the ancient Greeks.’  I say.

‘Yeah.  It’s beautiful.’  Alex says.  Then he laughs.  ‘Naughty little monkey.’

I look to see a monkey scamper using his two legs and one arm, glancing behind him as he runs.  In his other hand is a big fresh piece of cucumber.  Behind him is a man aiming a catapult at him.  The man shakes his head as the monkey moves out of shot, and goes back to tending his stall, hoping to better defend his wares from the quick thievery of the monkeys. 

‘It’s the same one as before.  Look, it has the same black tip on the end of his tail.’  I say.

‘He’s staring at us again.’ 

And he was.  Sat with limbs wrapped around a salacious wooden support, the monkey watched us as he nibbled on his procurement. 

Up the high steps of the temple stages, three grimy looking children clambered towards us.  Their spindly limbs levering their tiny bodies up and over the tall steps.  As they approached us the two smaller ones hid behind the older one, unsure as how to proceed.  The older child was only around 6 himself.  They smiled nervously at us revealing rotting stumps of teeth.  Dirt ground into the shallow creases of their supple skin.  Mud embedded under and around the nails of their hands and feet.

‘Two rupee Mr.’  The older one says.

The other two giggle and skip around behind him.

I shake my head and smile.

‘Sweet.  Sweet.  Give sweet.’

Again I shake my head, and poke my tongue out at them.  They giggle more.  The silliness of an adult is an unusual surprise.  For a while we exchange funny faces with each other, and then they bounce down the steps of the temple to find another to test their confidence on.

‘I think it might rain soon.’  Alex said looking at the dark cloud seeping across the sky.


For a couple of hours we wander back through the centuries, admiring the beautifully carved, but modest, palace of the old Nepalese royalty.  Climbing vast numbers of steep, uneven steps, we find vistas of the city spanning 360o, lofty viewing rooms for the kings to survey their kingdom.  There are silent courtyards, where only the sound of the pigeons fluttering to the rafters to roost can be heard.  It is a palace of ascetic pleasure rather than the gaudy grandeur found in those found in Europe and Nepal’s more ostentatious Indian neighbours.           


We take a different route back towards the hotel.  The roads of the old city, a maze of similarly looking streets, where we are never quite sure if we have walked along it already or not.  In the distance I spot the monkey, watching, waiting.

‘It’s him again.’  I say.

‘Are you sure?  That seems unlikely.’  Alex replies.

‘Maybe he likes us.’

‘Maybe he wants to rob us.  Is your bag zipped up?  They’re quick.  They’ll have your camera before you even notice.’

‘Let’s follow him.’

‘Do we have to?’

I walk towards the monkey, who shows me his raw bottom again and leaps forward, turning around occasionally to see if we are following.  He leads us down quiet streets, lined with tiny eateries, the proprietors either nattering to each other or asleep at one of their own tables.  The first patter of rain splats down onto the precarious cobbles. 

‘Come on Wendy, this is stupid.  Let’s get back to the hotel.  It is going to piss down soon.’ 

‘No wait.  Look, there he is.  At that doorway.’

The monkey slipped through a rusted metal door marking the outside territory of a small tenement.  The sign above it read ‘Langtang Children’s Home’.  I follow the monkey in.  Alex goes to sit in one of the little cafés.

‘I’ll wait for you.’  He says.  ‘I’ll trust your judgement and match it.’

‘I won’t be long.’ 


Inside the monkey is gone, and from the end of a long path I see two happy people waving at me.  A man with one of the most genuine smiles of love I have ever seen comes to the gate and welcomes me in.

‘Namaste.  Please.’  He says pointing towards the tenement block.  ‘How did you hear of us?’

‘I was just passing.’

The man leads me to the entrance where a woman with beauty radiating from her soul greets me.  At the door a child with obvious learning disabilities was wiggling out on his belly.  A girl came to the doorway, and the child giggled as the girl hoisted him back inside again with cheerful tut.  In the clean, carpeted room, were six wriggling children, all mentally disabled. 

‘We opened 7 years ago.’  The man, Jamak said.  ‘My wife and I took in 22 normal children from the rural villages that had either lost their families, or whose families were too poor to look after them.  We live here with them.  Come see the place, please.’

Jamak took me around the building and showed me the comfortable dorms where the children, along with his own daughter slept, the small dining room with low tables lined along the walls to maximise space, the kitchen, the computer room, which was home to a machine some fifteen years old, a small reading and TV room, and a basic room for the physiotherapy of the disabled children.  He explained that he has the help of a Dutch NGO to help him fund the running of the place.  There were pictures on the walls of the children when they first arrived, looking rigid, solemn, scared, and their evolution over the seven years to bright beaming children with a future.  Even after the children are required by law to leave, at 15, they are supported by Jamak and his family, to ensure their future remains certain. 

Jamak never stops smiling, it increases when he tells of something that warms him.  Like the progress of the disabled children he had started looking after.

‘I have no training in looking after disabled children.  But we have started to take in 6 during the days.  We hope that in a year we can take them full time, when we have learnt more.  Their families lock them in rooms during the day.  The parents have to work, and a disabled child is a burden.  When they first came here, they couldn’t eat on their own.  They couldn’t use their hands.  Now they can.’  Jamak beamed.

I almost cry I am so moved by the love and selflessness of the amazing man in front of me.  Before leaving I make a donation, doubling it to include Alex’s contribution.

‘I figure you can do more good with this than would come of it if I gave it to the street kids.’  I say.

Jamak smiles, its warmth penetrates and exposes the weak selfishness within me.  



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